Original Art

One of the pieces of original art I kept for myself from ABC A-Z #1. Check out that gorgeous Karl Story inking! I wish all of that Tom Strong merchandise in the top left panel really existed...

Just took a look at what pages of mine art dealer Jim Warden has for sale on his site (click HERE) and it's kind of making me regret not keeping more Tom Strong pages for myself. I only kept a few from the early issues because I was so unsatisfied with my work then and later went through some lean times when it would have been self-destructive to hoard pages I could sell. I was quite happy with the final few issues of the series that I drew and kept quite a bit from them(including all of the pencil art from the "painted" sequence from the final story), and I kept most of the pages from the ABC A-Z book, which were all double-page spreads or full-page splashes and my favorite Tom Strong artwork ever published(technically-speaking). Oh, well...at least I have my photocopies to help me get through fits of nostalgia like this!

A pencilled page from my personal collection, from the "painted" portion of the final Tom Strong issue, #36. Done pretty much the same way as my layouts for final issues of Number Of The Beast (see my last post below).

Xan just promised me she'd write something about the trip to Canada she took while I locked myself up in the studio for one final Number Of The Beast drawing marathon recently. That's something to look forward to for all of the less comic book-centric readers of this blog! It'll be a nice change!

--C

Number Of The Beast #6

The Authority is on the job in NOTB #6

The sixth issue of Number Of The Beast hits the stands today! Eagle-eyed readers may notice that I'm credited with "Layouts" this time instead of the usual "Pencils." In case anyone's worried about the quality of the art, I'd like to explain that this doesn't mean that all I produced were the same kind of rough, scribbly layouts I usually do before drawing the finished pencil art(see those older posts covering the making of the spread from NOTB #1). What it does mean is that in order to make the shipping dates for the rest of the series I had to come up with a slightly faster version of my typical drawing process. What I came up with was basically the same thing but without all the black areas indicated(that step was left to inkers Karl Story, Brian Stelfreeze, Andy Smith and Drew Geraci, all credited as finishers). With just this slight change(and some SERIOUSLY long days and nights at the drawing board) I was able to get the final three issues in and they should all ship on schedule. Above and below are examples of my work on the issue and it should be plain that these are far tighter and more polished than those blue pencil rough layouts I used to do--again, pretty much my usual pencil art but no shading or black areas, just the line art.

Since I am finished with the series, look for more frequent blogging as I can now actually leave the studio occasionally and do things other than drawing that are worth writing about...

Engine Joe sans helmet, looking worried as stuff really starts to hit the fan in NOTB #6

--C

Number Of The Beast #5

My Land of the Giants homage from the pencil art for NOTB #5, with the mighty Mite held captive!

NOTB issue#5 hits stands today! We're past the halfway mark now!
--C

Happy Birthday, Mike!


Today is my brother's birthday, and I originally thought I would commemorate the occasion with a photo from among the vast vintage Sprouse family slide archive, one that would be funny and a little embarrassing. Instead I chose to run the photo above in honor of Mike's birthday, since it's one that he would actually like to see and not one that would make him cringe. Okay, maybe the hairstyle is a little cringeworthy, but who am I to criticize--my hair from this era was even worse, trust me! Anyway, the picture shows my brother with Pop, our grandfather on our father's side, in front of Sprouse's Furniture near Charlottesville, VA sometime in the early 80's. Happy birthday, bro!
--C

More Ocean Movie News

According to the Hollywood Reporter, Ryan Condal has been picked to write the screenplay for Ocean. An internet search reveals that Condal is a newcomer who has written a highly-regarded but as-yet unproduced script for Galahad (as in King Arthur, etc.).

--C

Number Of The Beast #4

Beastly super-villains from NOTB #4 in pencil form(okay, some of them are downright goofy, like Stinkbug, but I think Ragamuffin and The Skeleton Crew are kind of creepy)

The latest issue of Number Of The Beast, issue #4, is out! Four more character bios w/designs in the back of the book again--and even I learned something this time: winged super-heroines The Thrush and Falconette are mother and daughter! Scott Beatty and I had never talked about this, but it works! 

--C

Number Of The Beast #3

Anti-superhero propaganda poster from NOTB #3

NOTB issue #3 is out today! Features four more character bios w/designs in the back of the book.
--C

Number Of The Beast #2

The Cover of NOTB #2

The second issue is on the stands today! Four of the character designs along with biographical text pieces by Scott Beatty can be found in the back of the book.

--C

Number Of The Beast Is Finally Here!

With a cover like this, you just know Karl and I are going to Hell...

Issue #1 is on sale NOW at a comic shop near you. Go buy it! Feel free to buy one of the ones with the alternate cover as well! Issue #2 will hit the stands in two weeks--yes, two weeks! Better get back to work...

--C

The Kids In The Hall
Sunday Xan and I had a very rare(these days, anyway, thanks to my schedule) night out. We saw The Kids In The Hall at OSU here in Columbus. They did all new material, yet many skits/bits featured old favorite characters such as Buddy Cole, Gavin, the Chicken Lady and the Head Crusher(the last two are my personal faves from the TV series). The night wasn't completely funnybook-free, as we ran into friends Dave Aiken and Andy Bennett in the lobby after the show and talked comics and illustration for a while. After saying goodbye to Dave and Andy, we were able to meet the five Kids In The Hall, snap some photos and get some autographs! Below is a pic of my favorite girl Xan with my favorite Kid, Mark McKinney(creator of the aforementioned Chicken Lady and Head Crusher). Check out Xan's MySpace page for more photos from that night.

--C

Xan & Mark McKinney from The Kids In The Hall

One Week Until NOTB!

Another pencilled page from NOTB #1

Six days, actually...This will just be a quick post since I'm incredibly busy and frazzled right now. Anyway, DC Comics/Wildstorm and Newsarama have a few little promotional things going on leading up to the release of Number Of The Beast #1 on April 9th that I wanted to point out for readers of this blog. First, Newsarama.com has been posting character designs with brief commentary from writer Scott Beatty and myself all week. Click HERE to see the latest, Falconette--you can jump to the other designs from that page. Next, the Wildstorm website has a multi-page full-color preview of NOTB #2 you can see by clicking HERE.

I'll be back to post a final segment on the making of the spread from NOTB #1 later in the week when I have more time!

--C

Greetings blog readers!  I'm sure everyone reading is checking out the Number of the Beast artwork and thinking "How super cool, I can't wait for the summer when this is released!"  Rest assured, it is very cool.  I'm personally impatient for the Engine Joe action figure.  I don't know if there are plans for one, but I'd love it.

And perhaps some of you may be thinking "Wait a second, doesn't Chris have a wife?  Surely she's been up to something equally as cool, right?"  Well, yes and no.  Chris does have a wife, but she's not really up to anything as cool as Number of the Beast.  But, she is back to taking guitar lessons.  Since she is me, I'll talk in the first person now.

Hey everyone, Xan here.  Chris has been taking over much of the blogging responsibilities lately, and for good reason.  If you haven't checked out the artwork he has been posting for NOTB, you should.  I'm so excited to see this book in print.  Other than this, it's been a pretty status quo winter into spring for us.  But we enjoy our status quo, so I consider this a good thing.  It's a quiet life of reading, beading, cult tv and whatever else we can work into the day.

Aside from trying to get caught up on Doctor Who and Torchwood episodes, I started guitar lessons again this year.  For those of you who don't know the sordid background, I took guitar lessons in 2005 until the fall, when I was in the process of changing jobs and Chris and I were moving into our current apartment.  I stopped going to my lessons around this time because my teacher asked me to not come anymore.  He told me I wasn't focused enough, and was therefore wasting his and my time.  Evidently, guitar lessons come before finding and moving into a new apartment, and any job searches should be put on the back burner for scales.  Maybe I'm bitter (I am, actually), and maybe I am making excuses.  He told me that I was welcome to return when things were settled and I could focus, but this evidently wasn't the case, since my emails to him which said basically "Settled into the new job and the new place, ready to play again!" went unanswered.

I kept playing a bit on my own, but really wanted a teacher again.  I always benefit from the experience of others, and considering my near criminal neglect of the piano, I needed to get back into learning about theory and not just looking up tab online.  So in a moment of pure serendipity, aka Marcie and Kade's New Years Eve party, I found a new teacher.  Greg is a friend I met through Marcie, and he is a guitar teacher and was willing to take on new students in the new year.  So I jumped and now have been taking lessons again since January.  Greg is a great teacher, and was a bit appalled at my being kicked out of lessons, so I feel more on the same page with him.  And he seems to be patient with my difficulty getting used to a pick, which is good.

The picture is a photo of my guitar, Jane.  She's an Ibanez AW40-NT, and I love her.  I didn't know much about Ibanez acoustic guitars.  The electric guitars were all I knew about as they have a reputation as being metal guitars.  But this one is great.  I saw a 12 string Ibanez at Sam Ash the other day, and it was about all I could do to walk out of there without it.

While it feels good to be taking lessons and learning music again, I feel guilty about the fact that the piano is out of tune.  I really need to get back to all of my instruments.  I found it difficult to find time to play as an adult.  Everyone knows I've never been the best with managing time.  I should also take one of those free workshops at the Apple Store, and get the most out of my GarageBand.

Ad hoc, ad loc and quid pro quo.  So little time, so much to know!

And oddly enough, Greg taught me "Yellow Submarine" this week.  Maybe I should learn "Nowhere Man" next...

Yet Another Interruption...

Click HERE to see a little animated trailer for Number Of The Beast over at the DC/Wildstorm website. Goofy but fun.
--C

Another Short Interruption
I thought it would be a good idea to butt into the series on the making of a page from Number Of The Beast in order to let interested people know that the most current Wildstorm comics (cover dated April 08) contain a NOTB preview! The preview is seven pages long and features the cover and six fully finished pages from the first issue.

The pencil artwork for page 9 of Number Of The Beast #1,
just one of the pages featured in the preview
--C

Creating a Comic Book Page for
Number of the Beast - Part 4: Inks

Inks by Karl Story for Number Of The Beast #1 pages 6 & 7; click on the image to see an
extra large version

In the last few posts, I've described my part of the process of creating a comic book page, specifically a two-page spread from Number Of The Beast #1. Beginning now, I'll attempt to explain what happens once I'm finished with the pencil drawing.

As I mentioned in the last installment, I box up the pencilled pages and FedEX them to Karl Story in Atlanta, GA. Karl and I have worked together off and on since 1992 when we were teamed up by editor Michael Eury on the DC Comics series Legionnaires. Karl is one of the founding members of Gaijin Studios, whose website can be found HERE, and he's one of the best inkers currently working in the industry(if not THE best). As an inker, it's his job to go over my pencil lines and shading with black India ink using various brushes and pens. He does more than trace the lines and fill in areas of solid black, though: he cleans up and finalizes anything sketchy, adds depth to the drawing using various line weights(traditionally, thicker lines on closer objects, thinner on background objects), and creates texture where none was present or merely hinted at in the pencils(compare what Karl did with the chrome on Engine Joe's belt/bumper or the little pieces of rubble around Joe's feet to my pencils to see what I mean). Some comic artists ink their own pencil artwork, but the standard practice is to split the pencilling and inking into two separate jobs done by two different people in order to save time. This works out well for me, since I am barely competent at inking, and Karl brings a level of polish and finish to my work that I could never achieve. I have repeatedly thanked him for making a turkey of a page look good, but he also makes pages I'm happy with look spectacular! Judge for yourself with the image above!

Once Karl finishes his inking, he scans the pages at high resolution into his computer and sends them digitally to the Wildstorm offices in San Diego, where the final two steps in the process, lettering and coloring, are completed. I'll cover those steps in the next two posts.

--C

We Interrupt Your Regularly Scheduled Blog...
Just wanted to post a couple of links to some recent interviews over at Newsarama.com, one is an interview with me that's kind of a career overview, and the others are separate interviews with me, writer Scott Beatty and editor Ben Abernathy covering Number Of The Beast.

- Click HERE for the general interview with me

- Click HERE for an interview with NOTB editor Ben Abernathy

- Click HERE for an interview with NOTB writer Scott Beatty

- Click HERE for a NOTB Q&A with me

--C

Creating a Comic Book Page for
Number of the Beast - Part 3: Pencils

Pencil art for Number Of The Beast #1 pages 6 & 7; click on the image to see an
extra large version

Once the prep work is done(the thumbnails and layouts, covered in the last two posts), it's time for the fun stuff(at least for me), the pencil art, commonly called "the pencils" within the industry. All of the basic problems have been solved and all of the forms and guidelines are there in the finished layouts, and in this step I take that rough draft and turn it into (hopefully) clean rendering and good drawing.

I began the double-page spread above by taping two 11X17 pieces of company supplied Bristol Board paper together. Then I placed it directly on top of the layouts on the lightbox I have on my drafting table. This allowed me to "trace" over the layouts which were visible through the Bristol Board with the lightbox on. Below is a photo that shows what this looks like(although it's not the spread above, but a model sheet for the NOTB character Seafarer instead):

Looking through the pencils at the layout underneath on my lightbox

As you can see, the layout is clearly visible through the Bristol Board, but not terribly intrusive--I can see it just enough to use it as a guide(it's clearer in person than in this photo. but you get the idea). You can also see that in the Seafarer drawing I didn't strictly trace the layout--as I draw the finished pencils, I constantly change and tweak elements, adding final details shading and any lighting effects, sometimes changing entire figures and even entire panels. If you compare the spread at the top of this post with the layout version in the last post, you'll notice that the final panel with the flying saucers is completely different in the pencils.
Anyway, using the blue layouts as a guide, I rendered everything very tightly and as clearly as I could, finalizing all the elements in black lead. I used straight-edges for the buildings and ellipse templates for the saucers, but everything else was pretty much free-hand drawing. Not much else to describe process-wise, but I can say that this step was a pure joy to do--this two-page sequence turned out so much better than I had hoped. If I have the wall-space in a future studio, this one's going up in a big frame--that's how much I like it(and anyone who's ever heard me talk about my own work knows I don't say that very often)!

This is also the last step where I have any hands-on involvement. I box up my finished pencilled pages and FedEX them to Gaijin Studios in Atlanta , GA where inker Karl Story makes them look really good! I'll tell you as much as I can about that when I cover The Inks next time.

Tools/materials used in this step:
- 11"X17" 2-ply Bristol Board
- PaperMate PRO-Touch II mechanical pencil w/Pentel 0.5mm black lead
- PaperMate PRO-Touch II mechanical pencil w/Pentel 0.7mm H black lead

--C

NOTE: I forgot to mention all of the little "X"'s all over the pencil art above, and people outside of the business always ask about those. In order to save time and prevent carpal tunnel syndrome, most comic artists, myself included, label areas on the artwork that are supposed to be solid black with a little "X" or a bunch of "X"'s. I don't know how this practice started or who originated it, but it's pretty much standard. It also keeps the smudging and fingerprints to a minimum--if all the areas with "X"'s were filled in with black graphite, sheesh--smudge city by the time I'm done with it, let alone after an inker works on it! This will make more sense when you compare Karl's inked version of the spread(which I'll be posting next time) to the pencil version. One other note, I replaced the old smaller images of the layouts and pencils with extra-large versions today, so now you can see any details you may have missed in the initial jpegs.

Creating a Comic Book Page for
Number of the Beast - Part 2: Layouts

Layouts for Number of the Beast #1, pages 6 & 7; click on the image to see an
extra large version

Last time I described how I create a thumbnail sketch for a typical comic book page and how I arrived at the final design for what became pages 6 & 7 of Number of the Beast #1. This time I'll be concentrating on the next step, the layouts. The layouts are the most difficult and work-intensive part of the entire process, at least for me. The layouts are where I work out the anatomical structure of all of the figures and hash out all the backgrounds.

For these two pages, I began by roughing out Engine Joe in the large panel running across the top of the spread using a blue pencil. Then I drew a perspective grid for the background behind Joe, which--among other things--allowed me to accurately place everything else in the panel. For example, since Joe is about ten feet tall, maybe higher, I knew that any doors in the background would be shorter than his shoulders, and that if I drew a fireplug or something in the foreground it would only come up to a certain height somewhere around his shins or his knees. Once the perspective grid was down on paper, I tightened up Engine Joe's figure, getting all of the details in the correct places and the parts in the correct proportions. I usually bear down pretty hard when I draw, so the linework gets dark fairly quickly, and that makes it hard to see the lines I've put down in some places. Since there were still parts of Joe's figure that needed fussing over, I went in with black lead and did some more finalizing, which you can see most clearly on his right arm in the image above. Once Joe was in good shape, I moved on and used the same process on The Aeronaut, the flying hero above Engine Joe, and then on to the homeless man in the foreground. Next, I worked on the background buildings, but as usual, I left the backgrounds fairly loose since I've drawn hundreds of street scenes and was confident I could do most of the work in the next step(the finished pencils). If the script had called for a more complicated background, a recognizable building or something I've never drawn before, I would have been more precise here in the layouts. Once this large panel was done, I went through the entire process again for each of the remaining panels. As soon as I finished the layouts I knew this spread was going to work well. I couldn't wait to get to work on the finished pencils...which is part 3, and I'll cover that next time!

Tools/materials used in this step:
- 11"X17" copy/office paper
- PaperMate PRO-Touch II mechanical pencil w/Pentel 0.9mm blue lead
- Alvin Draftmatic mechanical pencil w/Pentel 0.9mm red lead
- PaperMate PRO-Touch II mechanical pencil w/Pentel 0.7mm H black lead

--C

Creating a Comic Book Page for
Number of the Beast - Part 1: Thumbnails
Actually the first part of creating a comic book page is the script, created by a writer in pretty much the same form as the script for a play or a movie. The script contains descriptions(sometimes brief, sometimes very detailed) of the characters, action and setting for every panel of every page of the story, along with the dialogue the characters will be speaking and any captions needed. In the case of Number of the Beast, the writer of the script is Scott Beatty. Unfortunately, I won't be showing any of Scott's actual script for the pages I'll be discussing on this blog because they give too much away about later plot developments we'd prefer to keep under wraps. What I'm going to begin with instead of the script are the thumbnail sketches. Thumbnails allow me to very quickly(by virtue of their size) work out the panel sizes, placement of figures and general flow of the story--and that's it. I don't worry about facial features, good perspective or precise rendering at this stage; that all starts in the next step, the layouts. In case anyone's wondering, they're called thumbnail sketches because they're traditionally drawn very small, about the size of a human thumbnail. The ones I do are in fact about the size of my entire hand--that's small enough for my purposes.

Below you'll find my initial thumbnail sketches for page 6 from Number of the Beast #1, the page where we finally get to really see our main characters for the first time. This page, as initially scripted by Scott, was supposed to be one large panel (this type of page is called a "splash page") showing four superheroes running down a city street at night. This page was also supposed to be the title page for the book, so it needed to have room not only for the drawings and dialogue balloons, but for titles and credits as well. The right part of the sketch below shows how the page was intended to look, with Engine Joe et al racing away from the reader deeper into the city-at-night setting. As soon as I drew it I knew it would never do--there was very little room for dialogue, titles, or credits, and it basically just lacked the dramatic "oomph" I felt the introduction of these larger-than-life characters called for. On the left side of the image below, you can see that I started playing around with showing the characters in profile, but this too left no room for any text and was still pretty dramatically boring.

Number of the Beast #1 page 6 thumbnail, take one
I took another try at the thumbnail, which you can see below, but this time I thought I could add some of that missing "oomph" by making page 6 part of a two-page spread with page 7. This attempt produced a slightly more dramatic page 6, and the sheer largeness of the two pages presented as one large image would add some impact, but it still wasn't quite working for me. I left it alone for a few hours and when I sat down to take another pass at the thumbnail, something clicked in my head and I saw the solution immediately. If you look closely at the top left of the image below(above the red writing), you'll see a thumbnail within a thumbnail, where I changed the entire layout of the two-page spread so that the top half would be a "widescreen" version of what was supposed to be page 6, with all of the little panels that were intended to make up page 7 spread from left to right on the bottom half of the spread. That was all I needed to go on to the next step, the above-mentioned "layouts," which is where the real drawing, as well as the hard work, begins...but that's going to have to wait until the next installment...


Number of the Beast #1, pages 6 & 7 thumbnails, take two(and take three at top left)

Tools/materials used in this step:
- 8.5"X11" copy/office paper
- PaperMate PRO-Touch II mechanical pencil w/Pentel 0.9mm blue lead
- Alvin Draftmatic mechanical pencil w/Pentel 0.9mm red lead

--C

NOTB Sketchbook Gallery 3
Next time I'll begin a step-by-step look at the creation of a page from Number of the Beast from thumbnail stage through to the finished lettered/colored product. For now, though, while I gather the materials for that post together and get more work done, here are two more NOTB character sketches...

--C

NOTB Sketch Gallery 2
Here are some more sketchbook pieces...

--C

Apparently more people are reading this blog than I realized... ...including someone at DC Comics who has asked that I stop posting artwork from Number of the Beast until after it's been seen publicly elsewhere. So, to play it completely safe and until or unless I hear otherwise, when I post NOTB artwork I'll only be posting sketchbook material which will never be published in the series or anywhere else. I'm sure someone will let me know if this is a problem as well. For now, here are some of my earliest Number of the Beast sketches from last summer...I hope they'll make up for the missing three character designs which will probably turn up someday on Newsarama before finally being published as bonus material in the backs of the individual issues(that's the plan, anyway).


--C

Finally!

Double page spread from Number of the Beast #1, introducing the superhero characters
Engine Joe, The Aeronaut, The Thrush, and Falconette

As a few of you have already noticed, Wildstorm finally broke the news about the series I've been working on. Click HERE to see that story on Newsarama.com, which includes four fully finished color pages from the first issue of the Number of the Beast series. Starting later tonight(probably) I'll begin posting daily or semi-daily images, either pencilled pages or some of the 26 or so new character designs I've done so far. Right now, however, I need to get back to work--this book has to ship on time(we're on schedule and half-way through the series, so it's looking good...)!
--C

The Cat's Almost Out Of The Bag...

Newsarama.com has posted an interview with comic writers Christos Gage and Scott Beatty and way down at the bottom is the first mention of the new project I've been working on for the last several months--the first mention that reveals any details, anyway. More will be revealed soon, and I hope to start showing some art here on this blog any day now. Click HERE to read the interview.

This is obviously one of those posts that will be of no interest to non-comics fans, but at least there's a cute photo above of Jess-Belle and her new Christmas present that everyone can enjoy!

Hope everyone had a good holiday!
--C

Lazy Day

We haven't posted a picture of the little girl lately, so here's one now!
On a cold cloudy day like today it's hard to resist just curling up
with this little furball and napping the hours away.

I'm taking a day off from drawing today just to get a few non-work related things done for a change. I've been working so much lately that even Christmas shopping and the post office are going to feel like pleasant diversions!

Speaking of things that aren't work, my sister Megan and her son Aaron moved to Columbus this Fall, and we've been babysitting occasionally. We've had Aaron over for a few marathon video game sessions, and I took him to see Bee Movie a couple of weeks ago. Last night we went out for dinner to celebrate Megan's birthday.

Other than that, we've pretty much just been preparing for the holiday or battling Winter colds (as well as the winter cold).

My next post will probably be after Christmas, so Happy Holidays everyone!
--C

Mid-Ohio Con 2007

Xan's dad Paul meets former Lois Lane, Noel Neill,
on whom he had a childhood crush!

Xan searches through the back issue boxes out on the con floor

Both new and old friends showed up this year.
This is Justin...

,,,and this is Nebbie!

Xan gets a little signing and sketching in!

Chris: For me, the con itself was in most ways pretty typical of the shows I've done this year--lots of sketching, few breaks, and not being able to talk about my current project--which was frustrating(soon, though--I've just completed the first two covers, and solicitation is imminent). Two things were atypical in a very pleasant way about this year's Mid-Ohio con, though. First: the after show meet-ups and dinners. On Friday night we picked up our badges at the convention center and ended up having drinks later with Steve Rude, Renee Witterstaetter, Steve Lieber and Sara Ryan. Then after the convention on Saturday, we joined a group of comics pros for dinner at Buca Di Beppo in the Arena District, where we had lots of pasta and enjoyable conversation. Sunday night, Xan and I met Renee and Michael Golden for a huge meal in the hotel restaurant, where we talked for hours about everything from our childhoods to convention horror stories and basically just had a blast. On the way out of the hotel we ran into UK artist Barry Kitson, Steve Rude, Matt Haley, and comic fans John Higashi, Miki Annamanthadoo, and Chad Olsen, and we ended up spending another hour talking in the bar with them. Considering that Xan and I both work at home and are pretty much homebodies these days anyway, this was a major amount of socializing for one weekend! The other thing that made the show a big deal for me was that I came home with some original artwork by other artists for the first time in a while. John Higashi gave me some Kevin Nowlan sketches--thanks, John!-- and I was able to pick up the preliminary pencil artwork for one of the Ocean covers from Michael and Renee. A pretty good way to end the convention season, I must say!

Xan: This year was quite a blast for me! Mainly, I loved being able to get to see so many people! During the convention I was able to walk around more than Chris did, so the first thing I did was head over to Tom Batiuk's table. When I was in the 8th grade my school put on a production of the musical Funky Winkerbean's Homecomeing and I still had my script, and the back cover has a space for cast autographs, which I never did. But it has Tom Batiuk's autograph now! I also got a Noel Neill autograph while I was at her table with my dad. Sadly I never made it over to Sarah Douglas' table, so I hope I get a chance to see her at another show.

I also spent a lot of time hanging with local pals Dave Aikins and Andy Bennett, but we mainly talked about Dave's new baby and Andy gave me the rundown of the new Aqua Teen Hunger Force video game so I know what to expect when I finally break down and get a Playstation. Tom Mandrake stopped by their table and I just listened while they all talked shop. They did some great sketches for me, and Andy sold me a piece of art he did a while ago that I have been wanting for a long time. I'll scan it and post it, it's wonderful. Tom Williams was there too, but I only got to see him on the last day, but he had some great prints and I had to get a print of Chukthula. I didn't get to see our friends Sara and Steve much more than drinks Friday, which was sad because they're great and I don't see them nearly enough. Steve had some fun Hollywood production stories about Whiteout coming next year. Hopefully, we'll have some Ocean stories soon!

Sadly, although my parents were able to come for a bit on Saturday and Daddy got to meet his lady Lois, they were only able to stay for about an hour because that was all the quarters they had to feed to the meter since the garage was full. But they got to see their son in law in action and get the con experience. It was a bit of sensory overload, but then it always is. Mama said "This is neat, but I have NO idea what I'm looking at!"

This year was also a very good shopping year for me! I got a very nice large edition of an issue of The House Of Mystery that Sergio Aragones signed for me (I loves me some Cain's Mail Room!) as well as some old Simpsons trade paperbacks for $5 each. Once again a convention has come and gone without me updating my Twilight Zone database, so in the interest of not buying any duplicate issues (again, I might add...) I didn't do any searches in the Gold Key boxes at the dealer tables. But I did find a guy who had a very nice selection of The Tick toys. I say "had" because I have them now! I got the Tick in his Dinosaur Neil t-shirt, Thrakazog, and The Human Bullet to name a few. It had been a long time since I had seen anyone with Tick toys, so I went a little nuts, but it was fun! Now all I need is a Chairface Chippendale and I should be good!

There was also a dealer at the end of the aisle Chris was in who had a lot of vintage books and board games, and while I was walking around with my friend Renee I noticed this dealer had some Edward Gorey stuff. I collect Gorey stuff, and this dealer had a copy of The Elephant House, the photo book of his home in Martha's Vineyard. This dealer also had a copy of the pop up book The Dwindling Party, which Chris was sweet enough to buy for me! Again, I should take some photos of that in its pop up splendor.

It was also a good year for seeing friends! Saturday I ran into my old Media Play pal Chris Veach, who is a HUGE Friday the 13th fan so he got some great photos of himself and Kane Hodder. I also saw my pal Nebbie Brown, another Media Play buddy, and he was able to grab some nice #1s for some very nice prices. The major pal suprise was the cameo appearance of one of my high school friends Mike Lehman and his wife, who now live in the D.C. area but did the con while visiting family for the holiday. He seemed as surprised to see me as I was to see him, as it had been about 9 years since we had seen each other! Even weirder was that my dad was with me when I ran into him, and my dad coached wrestling at my middle school so he knew Mike from that! I think we gave him quite the blast from the past! Jeff Carlisle didn't have a table this year, but dropped by and went to dinner Saturday and came by on Sunday as well, and showed me the new Dinotopia book which is AMAZING and I really should hit the bookstore today for that.

Sunday I also got to see my friends Molly Durst and Justin Wasson, which was fun since we've all become good pals from myspace, oddly enough. Molly actually is married to a man named Chris who I also know from high school, but weirdly enough, I met her through other people! Justin came up with his pals who we just called "The Mikes" from the Dayton area. It was fun to see them-Justin is in Dayton and Molly has an almost 5 year old, so I don't see them as often as I should.

Sunday night at the hotel for dinner and drinks was a great time. We got to talk for hours with friends Renee and Michael, and on our way out ran into everyone in the bar. Barry Kitson and I talked a long time about music (I would LOVE to spent some time with his record collection) and Steve Rude gave me some very kind and encouraging words. He seemed a little surprised that I can be so directionless, but then again, we'd only met once before :) It was also nice to meet Chad and Miki, since I never seem to be at the table when they're around.

So long story short, a fantastic time! The only regret I have is that I didn't take a photo of the dessert I got Sunday night at the Hyatt. It was called "Ice Cream Nachos" and was as amazing as it sounds.

I guess I actually DID have a lot more to add...



Here I am at my very own booth! No more Artists Alley this year!
(this photo and the one above of Xan shopping were taken by Vaneta Rogers)

This is Michael Golden's preliminary pencil art for the cover of Ocean #4
--C

Digital Sketching
Believe it or not, the two drawings below were not accomplished with pencil or pen on paper. Instead, they were done on a convertible tablet PC, something I treated myself to after all the conventions this summer and fall. I wanted a new laptop, and after stumbling on a review of a tablet PC while doing research, I was hooked. Further tablet PC-specific research and some testimonials from other commercial artists sealed the deal. For those readers unfamiliar with tablet PC's, they work essentially the same as those things the UPS guy carries that you sign on with the little stylus, or the electronic pads you sign on when using a credit card at a store these days. Basically you draw directly on the screen of the tablet with a digital pen/stylus as if you were drawing on a pad of paper with a pencil or pen.

I've had my Toshiba for a month or two now, and I've had very little time to do any extracurricular drawing, but I've practiced a bit using a program called Alias Sketchbook Pro. I'm frankly amazed at how the various digital drawing tools recreate actual real-world pencil/pen/brush/marker lines and strokes. Any drawing I do in Sketchbook Pro can then be opened in Photoshop and manipulated/augmented, and vice versa. Before any art collectors reading this start worrying, I should mention that my digital drawing will never replace pencil and paper for me--at most I'll probably end up doing thumbnails on my tablet as well as some coloring and all my Photoshop work(I use Photoshop frequently these days to create lettering, to distort drawings for certain effects, and to re-size or re-compose panels that aren't working). Any other drawing I do on the thing will be just for fun.

Above is a test of the brush tool, simulating inking over a scan of my Modern Masters
cover(you can work in layers in Sketchbook Pro). It turned out okay for a first attempt,
but Karl Story definitely has nothing to worry about!


Here's one of my first tests using the pencil tool. Pretty loose. Actually, the marker and
brush tools feel more natural to me on the tablet PC, so I'll probably end up using
those more in the future.


Here's my Toshiba as a standard laptop.
What makes it a "convertible tablet PC" is the
ability to swivel the screen around
180 degrees...


...then when closed, "Voila!" it's a tablet!

--C

New Art!

I still can't write about the main project I'm drawing, but I finally have had a enough spare moments after working on that secret stuff to finish something I CAN show. Several months ago, comics writer Todd Dezago called and told me he'd like to interview me for a Modern Masters book. For those who aren't familiar with Modern Masters, it's a series of lavishly illustrated books covering the work of various artists in the comic book industry. Each volume contains interviews and loads of rare and previously unseen artwork. Many of my faves (Garcia-Lopez, Kevin Nowlan, Bruce Timm) and a few of my idols(Michael Golden, Walter Simonson) have been covered, so I'll be in good company. I'll state for the record right now that I don't consider myself modern nor a master of anything, but if they want to do a book on me, and all I have to do is answer questions and open up the Plankton Studios art vaults to the editors, then what the heck...Honestly, I have so much unpublished artwork laying around that I'd toyed with the idea of publishing a book myself for sale at conventions...Now someone else can do it for me! That's how I'm looking at the Modern Masters book--primarily as a way to get a bunch of rare art out there, with a little bit of "how-to" behind the scenes stuff thrown in with all the "greatest hits" kind of material the book will surely showcase.

Anyway, above is the cover I've come up with for my volume of Modern Masters, whatever volume that may be--it's still a long way off. The piece features the characters I've worked on that I'm most associated with, including Tom Strong, Supreme, the Legion of Superheroes and Midnighter. Enjoy!

--C

P.S. the Mid-Ohio Con is right around the corner! Yikes! Come out and see us (if you can--it is Thanksgiving weekend after all). Click HERE for more info.

Our fifth anniversary was a week ago today!
--C

Baltimore

The Gaijin Studios(and friends)Booth with Cully Hamner, Brian Stelfreeze, Me and Karl Story

September 8 & 9 we attended the Baltimore Comic-Con for the first time. We flew in the day before the convention and had a fine fun day filled with sight-seeing, record-shopping(of course) and crab cakes(crab mac & cheese for Xan). I've lived in Ohio for so long now that I forgot exactly how disgusting the humidity is in the Baltimore/Washington D.C. area, but overall we had a good time. Saturday I set up at the convention, sharing some space with the guys from Gaijin Studios. It was great seeing Brian and Cully, and getting to hang out with Karl Story again after 3+ years of just email and phone calls was a high point of the weekend. During the show I did my usual signing and sketching, plus I was fortunate enough to talk to lots of cool people like fan and and nice guy Mike Fogg, who took the photo above of the Gaijin booth (Mike, if you don't want me using the picture, let me know and I'll take it down--it's just better than most of the shots I took at the show), as well as other comics pros like Jose Villarubia and a few others who stopped by to say "Hi." The show was incredibly crowded and I was constantly busy, pretty much stuck at my table from beginning to end. Xan, on the other hand, was able to make the rounds, shopping and talking and getting new sketches in her sketchbook, including a wonderful Owly as Tom Strong drawing from Andy Runton. If you haven't seen Andy's Owly books from Top Shelf Comics, you're really missing out! After the show, we had dinner at a local off-the-beaten-path crab restaurant with Karl and several other comics pros and friends before attending the tribute to the late Mike Wieringo (a fellow comic artist and friend who passed away recently) organized by Cully Hamner and writer Mark Waid at a nearby bar.

Sunday was a day full of surprises, with friends I hadn't seen in ages dropping in, like Kip Talbot, the only other guy I knew in college who read comics. Walter Simonson also came by on Sunday, which was a big deal for me, as he's one of my idols and influences. We chatted about the Spirit story we did earlier in the year and marveled at Karl's inking as we looked at the original art from that story. The biggest surprise, though, was a visit from my parents, who had never been to a convention or seen me at work (and, as I overheard my Mom telling someone, they hadn't seen me in glasses before either). It looked like Mom and Dad had a good time--they shopped, talked to other artists and writers, saw lots of stormtroopers. My dad even collected autographs in his con program book. Xan kept them company and even took them to lunch when they weren't watching me draw. When the show ended, we said our goodbye's and my parents were kind enough to drive us to the airport where we had dinner together before heading back to Columbus.

Next convention: Mid-Ohio Con on Thanksgiving weekend.
--C

On our Friday sight-seeing trip around Baltimore, we saw this building,
where the late great TV series Homicide was filmed


Friend of Gaijin Chris Donio and the Saturday night crab carnage


Walter Simonson stops by


Xan's wonderful Owly drawing from Andy Runton


Xan and Mom & Dad with Franchesco!

Comics Update

This is my final Midnighter cover. As a matter of fact it's my final work on the Midnighter series. I decided to quit the book for various reasons a month or two ago, even though I've been considering it for far longer. I briefly considered doing work for Marvel, but Wildstorm offered me a project I just couldn't turn down. The good news is that we've begun the new project almost a year in advance of it's first issue shipping date--this thing WILL be on time! It's also just an amazingly fun book to draw, and the scripts are fantastic--very exciting! The bad news is that I have been asked not to talk about the specifics or show anyone any artwork until the project is announced in November or December. So, it'll look like I've dropped off the face of the Earth for a while, as far as my presence on the racks at comic shops goes. I'll be working away feverishly on this new thing, though, and I'm looking forward to finally showing off some of the new art I've been producing!

In other news, an actual big-time Hollywood studio has "set up" Ocean--not 100% clear on what that means, but basically it appears this studio has actually committed to making the movie with the Hollywood Gang production company(the guys who purchased the rights to Ocean). I'll give more details when the paperwork is signed and I actually know something concrete. And for those of you expecting me to pick up the dinner check at the next convention or give out really nice sportscars for Christmas presents, I should mention that absolutely no money has changed hands yet. I'm still just a starving artist.

Finally, if you're in the Baltimore/Washington D.C. area next weekend(September 7-8), come see us at the Baltimore Comic-Con. Here's a link so you can get directions and a little more info on the convention. This will be the last con I attend for a while (Mid-Ohio Con in November is the real last one I'll do this year). Like I said above, I can't show anything from the new project, but I'll have lots of other artwork for sale and display, and--as always--will be happy to talk comics, movies & music or just shoot the breeze with folks I haven't seen in long time.
--C